Magazines in the Spotlight: Encens

Regular readers may have noticed that it has been quite some time since our last 'Magazine In The Spotlight' post but this is not want of trying. I have been frequently and somewhat furiously finger flicking my way through the racks at newsagents and bookstores far and wide before leaving empty handed. Of course, I have encountered the usual suspects but for one reason or another these have failed to truly excite me and therefore warrant a post. I relayed my woes during a recent shopping jaunt at b Store and thankfully proprietor Matthew Murphy stepped in and offered the name of a title that had previously been unknown to me, Encens. His enthusiasm for the title was infectious. As I left the store with my purchases I instantly began my search of Soho for the publication which came to fruition at the ever reliable Compton News. Since finding it I have struggled to put it down which is no easy task given the weight of this style beast.

Encens number twenty six stands apart from previous issues as it signals their departure from the bi-annual format. Now published once yearly, the publication has taken on several properties which would classify it closer to a book. Firstly, the thickness and hardcover bound, its qualities as an object are just as powerful as the visual stories inside. During his Fashion Pioneers talk with Imran Ahmed, Jefferson Hack highlighted the growing importance of specialisation and what visionary science fiction author and futurist William Gibson terms mooks: "a hybrid of a book and a magazine where stories can be told in depth with beautiful photography." Encens is undoubtedly more 'mook' than magazine. It is an exploration of the two editors, Samuel Drira and Sybille Walter, aesthetics and something of a manifesto against disposable fashion. Stylist Drira and photographer Walter share a passion for the drape and fall of clothing, a subtle tailoring and a softness of finish and form. Throughout this weighty hardback, there is an incessant delivery of their vision as opposed to a summation of the trends or season based investigations that we have come to expect from style magazines. This vision is contained is shared within everything from an interview with Yves Saint Laurent taken from Vogue in November 1983 to a celebration of the menswear design talent of Damir Doma and Kris Van Assche. Despite the temptation to scan every single page for you, I've decided to pick out a few highlights. Let the images inspire...

Moving back and forth from the present to the past, the editorials and features have a timeless quality. Fashion magazines tend to constantly strive forward. Even though the latest collections may have been influenced by styles or characters from yesteryear, these influences tend to be ignored. Magazines are blinkered to the past. Encens however, takes a fond gaze at the aesthetics of the past which still should have clout today. The publications stands for an independent and long terms approach. Neither Dirra nor Walter are obsessed with clothes of the moment. For them, the best fashion has three common denominators - simplicity and style but also a sense of timelessness, the capacity to either be or become a classic. In one feature they celebrate Kris Van Assche and Damir Doma, declaring their designs to be menswear at its best. A fluid silhouette, void of the typical restriction of menswear, stripped of the 'for men only' labels. Both have a desire to render the ready made boxes of menswear, sharing ideals of versatility and a nomadic existence. The following quote from Per Spook in another feature echoes these ideal...

"One of my golden rules is to be at ease in a garment. Men hate feeling confined. Likewise, discretion, rather than disguise. A man's wardrobe must have its own personality, yet not be recognisable. I have always preferred the classicism of a great simplicity, natural materials, cuts that are worn loose, and since my clothes do not have linings, they remain light and supple." Per Spook.

Encens' relevance exists in the very fact that it is not grounded in any sort of fast fashion, instead quite the opposite. Although seasonality is expected in fashion, I respect and admire anyone who turns against those implemented measures of time. I heartily recommend that you add this publication to your reading list, consider it pleasurable homework.

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Dressed for Success: Sir Paul Smith Unites with Manchester United

If you fancy yourself a football loyalist, you would know today is a monumental day in football as England's Manchester United and Spain's F.C. Barcelona square off to decide who is the European champion.







A time-tested Manchester United fan, I'm confident that United is bagging the silverware. However, I'm also comforted in the fact that, win or lose, the Manchester United lads will be well decked out in Sir Paul Smith's awfully dapper light grey Prince of Wales suits.

Recently billed as the victors of the English Premiership, it was only natural that Manchester United would be in league with the iconic British designer. For the last year, Sir Smith has been at the helm of the football club's formal wear and accessories, designing and supplying the United players, coaching staff and club officials with suits, raincoats and baggage. The union is meant to span for another two years.



On the eve of the 2009 Champions League match in Rome, the United squad and manager, Sir Alex Ferguson, were snapped alongside Sir Smith in their aplomb ensemble for the footballing fiesta. Coincidentally, United wore Sir Smith's suits last year at the 2008 finals in Moscow and the Red Devils went on to win on penalties against Chelsea. Formulaic or not, but United are headed to Rome in Smith's specially customized suits hoping that two times a charm pips the original idiom! Not much has changed in terms of last year's design; the two-button suit is in a lightweight wool/mohair blend and rounded out with special red paneled lining and striped piping.

To my chagrin, Carlos Tevez had to go Michael Jackson on us and wear white socks with his dark brown brogues. Maybe he should have left that to Nani as the Portuguese winger strangely favors a young Michael Jackson! On that jovial note, do England proud lads and bring home the treble! GO UNITED!!!

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Vogue Homme Japan Revisted!

Vis-à-vis the Vogue Homme Japan cover critique, it seems as though we stepped on a few toes and egos in the process. However, the cover that was made public a few weeks back—causing a wealth of debate along the way—was a curveball!

Yes, Hedi Slimane slyly released a bogus/teaser monochromatic-themed cover, which served its intended purpose—stir trouble and shake up the rumor mill. This time around, we feel there'll be marked improvement in the unison that surrounds the real Vogue Homme Japan cover.

A positive note is that the unadulterated cover that has hit stands takes a nod to the elegant goth style that has been popularized in Japan. Simplicity and elegance are imbued in the aesthetic such that a conservative palette of black and white with the slight pop of a dark-hued color—the dark pink backdrop and the fiery red of his tattoos provide credence—tend to come to the fore. Likewise, the embellishments and makeup often follow the same limited palette.

Owing to the visual synthesis of modern-day Japanese fashion, we're particularly drawn to the sculptural shape the jacket takes on as it sits draped over the shoulder. Now it's not to say that the previous "cover" that was floating around was not well shot or horribly styled, but we would be more inclined to snap up a copy of Vogue Homme Japan given this current cover.

Any thoughts, please share!

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